Indian Classical Music, Carnatic music learning platform

Jhampa tala Mishra Jati - Raga Kamboji M, G, S; N P, D, S, ; P;D S, D, D;S R,S, S;R G,R, | R;G M,G, | R,GM G,R, G,S,R,G, || P; D S;R G;R R;G M M G;M P,; M,P,D, N, ; ;

Thevaram - Vananai vAnanai. rAgA: kIravANi cApu tALA. P: vAnanai mati shUDiya maindanai tEnanait- tiruvaNNAmalaiyanai A: Enanai igazgndAr puramunrEida Ananai aDiyEn maranduivEnO C: vIranai viDamuNDanai viNNavar dhIranait-tiruvaNNAmalaiyanai Uranai uNarAr puramunreida Aranai aDiyEn maranduivEnO

kEdAragOwLa thevaram - raga timing - 9 pm till midnight ArOhana - S R m P N S' AvarOhana - S' n D P m G R G S See -  http://carnatik.blogspot.com/2009/06/what-are-thevarams.html Blue colour text indicates higher octave  ; P, S’ S’ ,         S’ S’ N D P, P,      | ; M P, D P,   P, D P M G R, ||  ; R P, M G,     R, RG R SS,          | ; R R, M;        P, S’ N D P P,   ||  ; P P, S’ S’, R’, ; R’ , ;                   |; R’ P’, M’ G’ , R’ M’ G’ R’ S’, S’, ||  ; P R’, S’ S’ , N, N S’ N D P,        | ;P P, S’ S’ ,   P, D P M G R   ||                “           “           “            “    |  ;P P,  S’ S’ ,    S’; S’, S’;   || Sortunai Vedhiyan Sothi Vaananvan Portunai Thirunthadi Prountha Kai Thola Kartunnai Poodi En Kadalil Paatchinum Nattrunai Aaavathu Namachi Vaayave

Song: Sambhashivayanave Tala Adi [8 beats cycle]  Composer: Chinni Krishna  Raga: Khamach aka Khamas Parent Raga: 28th Hari Kambhoji  Pallavi Sambha shivaayanave rajitha giri Sambhavee manohara parathpara kripaakara sree Charanam 1 Neeve guru daivambani yevelanu sevimpusu sadaa madinishiva Charanam 2 Paramadayaa Nidhivanusu Maruvakanaa Hrudayamunaa Mahadeva mahaprabho sundara naayaka suravara daayaka bhavabhaya hara shiva Charanam 3  Sthiramadurapuramu naa Varamulo saguharunee nirathamu nudalachi  Charanam 4  Shree subhakara sashi makutadara jaya vijaya thripurahara Srithajana lolathbuthaguna sheela kruthanutha baala pathithuni lola Mudamba laranga padaabjamulandu padambu lujerchu pashupathi nee Gnanamu Dyanamu snaanamu paanamudaanamu maanamu abhimaanamanuchu Kanikara munacharanam bulukanu konusruthulan nuthulacharananuchu Charanam 5 Sarasaa rekuni naama manthram korinaa nunipadabja manthram Dasudou chinnikrishnuniki dikkuni veyani sokkanaa duninam mukoni

Please post Audio and lyrics for this.

References : Smt. Vidya Shankar’s Shyama Shastry compositions book  Sri Shivkumar Kalyanaraman’s online Krithi archive Pallavi :  Kaamakshi Anudinamu Maravakane  Nee Paadamula Dikkanuchi Nammitin Sree Kanchi  [ Godess Kamakshi! Ever remembering that your lotus feet are my only refuge, I place my faith in you, O Godess of Kanchi ]  N ,  |        ;  ;           || D ,       |               ;   ;          || P ,        |              ;    dn      || Kaa                            maa                                       kshi                           am  S ,  |         ; s     r      ||  (Kaamakshi) Ba             kan chi N ,  |        ;  ;           || D ,       |               ;   ;          || P ,        |              ;    dn      || Kaa                            maa                                       kshi                           am S ,  |         ; d     n    ||  s  r   g  |      m   p  m   g     || R  ,       |               ;     N       || Ba           A  

I would like to post information on carnatic music in a very informal and organic way. In my endeavour to continue to appreciate music which kept my childhood family together glued and cemented. My dad is a a great legend who kept music, [speaking] art and literature as a central theme in his life. My mother hails from a from a famous little small holy town in South India - loves music and has mostly pursued my father's interest. The greatest parents one would wish to possess. I remember my dad's first shruti box, Tambura and the way he spent ages geeting the perfect resonance [Jeeru? or Jeera?]. My dad's emotive feel when he sings alapana can not be easily imitated. His favourite are Saramathi, Kalyani [ever-green], kamboji etc. Dad seriously respected sahitya and many a times we have had little duels because of this. May sound silly - but true - really true. When I sang wrong sahitya with complete conviction he would correct me to my surprise. How dare my father say th